Plasma Mythology
 
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some key ideas
regular evolutionary principles
  Over the centuries, mythological ideas have developed according to certain irreversible processes and tendencies you might call regular evolutionary principles of mythology. An example is the tendency for zoomorphic gods to become anthropomorphic; the reverse rarely happens.
   
visual prototypes
  The ultimate origin and significance of the central themes of myth were embedded in the underlying visual images, not in the meanings, functions, and interpretations these myths acquired subsequently. Pictures are primary, abstract notions secondary.
   
myth, ritual, and icon
  Myths, rituals, and traditional icons generally developed as parallel expressions of the same prototypes.
   
culture and civilisation
  Human culture and civilisation themselves were largely and deliberately modelled on mythical prototypes, at least from the perspective of preliterate and ‘ancient’ societies.
   
symbolism
  Mythology is not to be taken literally, but expresses itself through an interface of symbolism. The symbolism was unintentional, as the myth-makers simply had no recourse to a more refined technical or astronomical jargon. The nature of these symbols is visual, not allegorical.
   
universality   The same motifs in myths, petroglyphs, rituals, and other traditions are repeated around the world, often agreeing in fine and unexpected details. Many such 'archetypal' motifs can be traced back to the earliest recorded sources, suggesting that none have come into existence since the beginning of the historic period.
   
single prototype
  Many of the most prominent myths, widely reflected in rituals and traditional icons and centring on the themes of ‘creation’, ‘world destruction’ and cosmology, trace back to a single prototype, even if the astronomical reality behind this prototype may in reality have been stretched out over several centuries. The narrated events form a coherent sequence, not a disparate assemblage of nature symbols.
   
catastrophe   The single visual prototype of the myths was inspired by a series of catastrophic events that took place in the inner solar system prior to the onset of civilisation and perhaps peaking about 3100 BCE.
   
plasma   This series of events can largely be explained by reference to plasma phenomena operating when extreme solar weather or a fragmenting cometary intruder caused a disturbance in the geomagnetic field manifesting in the form of unprecedented auroras.